(originally published in Venice Magazine, July-August 2011, and posted on Chasing Aphrodite Facebook page)
Jason Felch and Ralph Frammolino, Chasing Aphrodite: The Hunt for Looted Antiquities at the World’s
Richest Museum
(Houghton Mifflin Harcourt, May 2011)
How would Gustave Flaubert
update his Madame Bovary in 2011?
Perhaps, he would recast her as an ambitious art history student, eager
to please and aching to get away from a boring working-class life just outside
of Boston (Newburyport ,
to be precise). Let’s say this updated
Emma Bovary completes her degree at NYU and continues on to Harvard for a Ph.D.
program but drops out when she meets an older, well-off cardiologist, looking
for a trophy wife.
Now this contemporary Emma
Bovary first seeks upward mobility through her marriage, just like her
nineteenth-century counterpart, and spends far in excess of what her husband’s
prenup lifestyle considered reasonable –
just like Flaubert’s Emma who hitched her wagon to a lowly country physician. Dissatisfied and frustrated, our contemporary
Madame Bovary takes $50,000 out of the join bank account to put a down-payment
on her own condominium. No suicide for
this desperate housewife. She got
herself a Honda CVCC (surprisingly, not a Porsche) and rode out of the marriage
into a heterosexually gay-divorcée sunlight.
Then what?